Friday, June 19, 2009

Superior Scribbler Award

How exciting! I've been awarded a "scribbler" award! That's almost as good as a "dabbler" award, which is what I generally call my writing, but being called a "scribbler" is very fun, too! I've been doing more scribbling on this blog than I have on getting a new book kicked off the ground, so I presume that Ronda Gibb Hinrichsen (author of the soon-to-be released suspense novel, Missing), who sent me this award, was inspired to do so in the hopes that it might whisper to me (very strongly): "You need to get back to work!"

We'll see if it succeeds. In the meantime, here is the award:



And here are the rules that go with it:

Each Superior Scribbler must in turn pass The Award on to 5 most-deserving Bloggy Friends.

Each Superior Scribbler must link to the author (Ronda Gibb Hinrichsen) and the name of the blog(The Write Blocks) from whom he/she has received the award.

Each Superior Scribbler must display The Award on his/her blog and link to This Post and add his/her name to the Mr. Linky list. That way we'll all be able to keep up-to-date on everyone who receives this Prestigious Honor! (Actually, I can't figure out how to do the Mr. Linky thing for this award, but if you figure it out, let me know!)

Each Superior Scribbler must post these rules on his/her blog.

So, drum roll please . . . The Winner's are:

Jaimey Grant
Donna Hatch
Suzanne Barker
Ray Baker
Valerie Ipson

Congratulations, guys!

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Our Summer Treasure Hunt: Dig for Clues and Win Contest is still ongoing. Click here to see who's won so far and what prizes are still available!

And be sure to read my interview with Donna Hatch and learn how you can win an autographed copy of her Regency romance, The Stranger She Married.

Monday, June 15, 2009

Interview with Regency author Donna Hatch

Today I’m introducing my first author interview at JDP NEWS! While the Middle Ages is my first love as a setting for my novels, I cut my romance reading eye-teeth on the Regency romances of Georgette Heyer and have been a huge Regency romance fan ever since. It’s my hope to conduct interviews with three new Regency authors whom I have recently discovered and enjoyed, beginning with author Donna Hatch. I’m waiting to hear back from the second Regency author about her willingness to be interviewed, and…okay, I’ll be honest…I haven’t actually contacted the third author yet, but I hope to do that soon! (And hope that she’ll say “yes!” when I do.)

Allow me now to introduce you to Regency romance author, Donna Hatch. After the interview, she has a great book giveaway to offer, so be sure to stay tuned all the way to the end!

JDP: How long have you been reading Regency romances?

Donna: I read almost everything, especially sci fi and fantasy, but was always more interested in the interpersonal relationships and romances than the plot itself. I started reading Romances when I was about 14 or 15, and immediately was attracted to historicals of all kinds.

JDP: What was the first Regency romance you ever read?

Donna: You’re going to laugh when I confess how clueless I was, but I didn’t really know what a Regency was until I started really researching it. Until then, I couldn’t have told the difference between a Regency and a Victorian.

JDP: When did you first realize you wanted to write Regency romances?

Donna: I love historicals overall. I grew up on Little House on the Prairie books, Jane Eyre, Anne of Green Gables. Historicals are like a whole new world, totally different from the modern world in which I live. Regency in particular is fun because the manners and mores of society are so formal and lavish (unlike my reality). Besides what’s not to love about men who can dance? Not to mention that there are few things as manly as a man riding horseback or fencing or willing to engage in a dual to protect his honor. Or that of his lady love. I have a thing for medieval romances, too. Love those knights who are all about duty and honor.

Honestly, I didn’t know if I wanted to choose Georgian, Regency or Victorian until I really did my research. I discarded Georgian because I hated the white wigs and the wide panniers women wore then. I chose Regency over Victorian for a number of reasons: it was during and right after the Napoleonic war, which provides the perfect backdrop for the tortured hero still haunted by the horrors of war (my favorite kind of fictional character); it was a unique period, people were more free thinking and also their days were filled with huge, lavish parties which adds an element of fantasy or magic (yeah, still soooo not like my real life); I like the clothing styles and part of the fun of a historical is getting immersed in the ‘world’ which includes describing clothing; and a large part of my decision to go with fantasy is because it is a solid market niche which helps with marketing.

JDP: Which Regency romance authors have most influenced you in your love for the Regency period?

Donna: Jane Austen, Charlotte Bronte, Georgette Heyer, Candice Hern, Julia Quinn, Carla Kelly, Jo Beverly, Emily Hendrickson, Rhonda Woodward, and many others.

JDP: Since I’m always interested in how authors research their historical novels, could you tell us a little about how you researched the Regency era for The Stranger She Married?

Donna: I read a lot of Regencies, but the most helpful thing was to read books that were actually written by authors who lived in that era, which is why Jane Austen is used so much; she lived during that time, so what she writes is how things were, rather than someone’s perception of how things were. I also read a bunch of research books. And I joined an online writer's group called the Beau Monde which is for authors of the Georgian/Regency Era. The members are a plethora of information and can sometimes just answer questions, other times they can recommend sources for what members need.

JDP: Can you share with us your top three favorite Regency romance research books or other resources?

Donna: Okay, this is more than three, but in addition to the Beau Monde RWA group, some of the best sources for that era are:
The Regency Companion, by Sharon Laudermilk and Teresa L Hamlin
Georgette Heyer's Regency World, by Jennifer Kloester
Dee Hendrickson's Regency Reference Book (now on CD)
Our Tempestuous Day: A History of Regency England, by Carolly Erickson
The Prince of Pleasure and His Regency, by J.B. Priestly

JDP: Are there any historical figures from the Regency era who particularly intrigue you?

Donna: Beau Brummel was interesting; he inspired the clothing styles of men, bringing them from the overly lavish frills of earlier eras which make the modern-day reader think of Liberace, and made the suits more tailored, more subdued and which are pretty similar to how the modern day suit is styled. He was also a total snob and a free-spender. He ended up fleeing for the continent to escape creditors.

I'm also intrigued by Maria Fitzherbert. She was the secret and illegal wife of the Prince of Wales, who later became King George the IV. He loved her deeply and was rumored to have threatened to throw his crown so he could have her. The marriage was invalid because she was Catholic instead of Church of England. I always thought the reason he was such a wild party animal and a womanizer was because his heart was broken over having to give her up. He was forced to marry a woman he despised and he continued to love Maria and couldn’t bring himself to stay away from her. Tragic and romantic, is it not?

JDP: Do you have an all-time favorite Regency romance?

Donna: There are so many, it’s very hard to choose. I have two criteria for a masterful book: 1. unforgettable characters who are deep and complex and 2. are beautifully written with gotcha phrases that demand I go back and re-read just to savor, like taking a walk in a garden and stopping to admire a single bloom.

JDP: What inspired you to write The Stranger She Married?

Donna: It’s a combination: I often wonder about a secondary or walk-on characters and start thinking about what their story is or could be. Sometimes I don’t like how a book ended, or how it deviated from what I thought was important, so I think about it as it should have been. I’ve always kinda wondered what would have happened if Christine in Phantom of the Opera fell in love with the Phantom instead of the young handsome viscount. Or if maybe she’d felt really torn between them.

I’ve always been drawn to the arranged or forced marriage situation; two good people who are thrust together, not necessarily happy about it, but learn to fall in love and make the best of it. (No, it’s not based upon my real life!) I also enjoy love triangles.

There’s another influence, but for readers who haven’t read my book, my telling you would be a spoiler, so I won’t ruin it.

JDP: Tell us a little bit about The Stranger She Married?

Donna: It's a sweet, yet sensual Regency romance with adventure, intrigue, a love triangle, and a terrible secret.

Torn between a disfigured war hero with the heart of a poet, and a handsome libertine who may not be all he seems, impoverished Alicia must marry by the end of the month. Despite a murder threat looming over her, learning to love the stranger she married may pose the greatest danger of all … to her heart.

JDP: I understand you also have a novella out. Would you tell us a little about it?

Donna: It's called Troubled Hearts. I wrote it in about three days, and spent even less time editing it. It pretty much just poured out of me as a complete work. It’s bit darker than I usually write, but in the book, I’m dealing with high emotions and a really heart-wrenching issue. It’s not based on anything in my life, but I went back to some of my darkest moments, and pulled out those emotions and plunked it into a new plot. It’s gotten fantastic reviews. Here’s the backcover blurb:

Desperate to escape her estranged husband and a home enshrouded with death and despair, Julia flees in the middle of the night. Little does she know, her determined husband is in pursuit. Along the journey, she discovers a telling revelation. But will it be enough to banish the ghosts of the past and quiet her troubled heart?

JDP: What project are you working on next?

Donna: Book 2 of the Rogue Hearts Series: The Guise of a Gentleman, which is about the brother of the hero in Book 1, The Stranger She Married. There are four books planned for this series, each about a brother of the same family, but each book is meant to be a stand-alone novel. Book two is about Jared, who is a spy infiltrating a pirate ring whose past comes back to haunt him…and endanger the life of the lady he loves. It’s under contract and I’m finishing final revisions suggested by my editor. It should be out this fall. Here’s the backcover blurb:

The widowed Elise is a perfect English lady living within the confines of society for the sake of her impressionable young son. Her quiet world is shattered when she meets the impulsive and scandalous Jared Amesbury. His roguish charm awakens her yearning for freedom and adventure. But his irrepressible grin and sea-green eyes hide a secret.

A gentleman by day, a pirate by night, Jared accepts one last assignment before he can be truly free. Elise gives him hope that he, too, can find love and belonging. His hopes are crushed when his best laid plans go awry and Elise is dragged into his world of violence and deceit. She may not survive the revelation of Jared’s past…or still love him when the truth is revealed.

JDP: Where can readers obtain a copy of The Stranger She Married?

Donna: They can buy the ebook at www.thewildrosepress.com or amazon.com
The paperback is available through my website at www.donnahatch.com or amazon.com.

JDP: Thank you for joining us today, Donna!

Donna: Thank you for having me!

Okay, here comes the Giveaway! Donna is offering a free, autographed copy of The Stranger She Married to some lucky person whose name I draw two weeks from today, on June 29th. There are three ways you can enter (and yes, that means you can enter three times if you do one each of the following):

(1) Send an email to me at jdipastena@yahoo.com with your name and mailing address. Type: “JDP NEWS Contest” in the subject heading, and type: “I want to know who the stranger she married is!” in the body of the email.

(2) Leave a comment on this blog about my interview with Donna, then send me an email (with your mailing address, please) to jdipastena@yahoo.com, letting me know you’ve left a comment. Please type: "JDP NEWS Comment" in the subject line.

(3) Go to Donna’s blog at http://donnahatch.blogspot.com/, find the answer to the question: “What contest is The Stranger She Married a finalist in?” and send the answer (with your mailing address) to jdipastena@yahoo.com. Please type: “Stranger She Married Finalist” in the subject line.

That’s all there is to it! You can enter once, twice, or by all three methods. Just be sure I have your emails by June 29th, midnight PST.



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Our Summer Treasure Hunt: Dig for Clues and Win contest is still going on. Click here to see which prizes are still available and for details on how to enter.

And click here to read about another great contest over on the Why Not? Because I Said So! blog.

Tuesday, June 9, 2009

Illuminations of the Heart, Chapter 1

My new medieval romance, Illuminations of the Heart, will be going to press within the next couple of weeks! No, this is not part of the cover art, but she would make a very pretty version of my heroine, Siri, if she were. While we're all waiting to find out what the new cover is going to look like, I've received permission from my editor to share the first chapter of Illuminations of the Heart with you. I hope you'll enjoy reading it!

CHAPTER 1
POITOU, SUMMER 1179


“Donna Siri, cover your head.”

Siriol de Calendri caught the fear in her companion’s voice as the older woman nudged her mount close enough to reach out and whip the hood about her mistress’ face. Regrettably, the action hindered Siri’s view of the band of armed knights who had burst from the forest to surround her traveling party. Their shields, their surcotes, even their helmets lacked any crest or insignia to give a clue as to their identity. She had seen their blades leveled at the men of her guard before her companion’s action had veiled her face. Siri knew from experience that it was safer to keep herself hidden, yet…

She started to draw back the edge of her hood to grant herself just a peek at their captors, but she felt Lucianna’s fingers on her hand.

“Carissima,” her companion hissed in warning, “per favore.”

Siri reluctantly left her hood in place. But she heard the hard warning in the male voice that rapped out, “Drop your weapons, if you hope to see your wives and children again.”

There was much cursing in the Italian tongue, challenged by several threats in French, before she heard the soft clumping of swords being dropped onto the road.

“Now stand aside. Let us see what good fortune has brought us today.”

The Italians gathered around the two women, abandoning the wagons to their captors. For a time the robber-knights devoted themselves to ransacking the trunks and chests and ignored the travelers. Siri imagined the pleasure with which their captors must be discovering the rich fabrics of her gowns, the combs, the mirrors, the wreaths of silver and gold, that denoted her a lady of the first rank. Her late husband had endowed her too generously. The discovery of her jewels would undoubtedly lead these knights to conclude that she might reasonably be held to ransom for twice the amount with which she traveled.

But first they discovered the wine—her brother’s best, a gift to sweeten the surprise, perhaps unwelcome, of her return to the land of her father’s birth. Shouts of glee, recognizable in any language, punctuated the finding. Only then did alarm overcome Siri’s curiosity. Men enflamed with the heat of wine were far more dangerous than the cold, calculating greed of knights simply bent on a little plunder. Nervously, she fingered the jeweled hilt of the slim dagger attached to her girdle. If they decided to seek more than ransom, they would find they had a hornet in their grasp.

The muttering of her guards at last provoked their captors into detaching several of their own number to surround them. Sensing Lucianna’s distraction, Siri finally stole a peek from beneath the confines of her hood. She saw the dissatisfied posture of the French knights as they watched their comrades freely enjoying the bounty of the grape. Much good wine was drunk and spilled before their leader returned his band’s attention to the more pressing business at hand. Siri marked him well. Though a dull, uncrested helmet concealed his face, the bold confidence of his commands confirmed his authority.

“Load it all back into the wagons. We will examine the spoils at the castle. We must be gone before Lord Fauke’s devilish patrols begin.”

“What about them?” One of their captors jerked his head towards the two women and their Italian guards.

The leader turned to weigh them with a steady gaze.

“Foreigners,” he said, his derisive snarl muffled, like his voice, by the thick metal of his helm, “but apparently wealthy ones. One would have thought they would have guarded their treasures better.”

He urged his mount across the space that separated him from his captives and pushed his horse between Siri and Lucianna, forcing them apart as he rode in an arrogant circle around the older woman. A dust-stained wimple concealed Lucianna’s hair but revealed a set of handsome features, their smooth youthfulness belying the truth of her forty-odd years. Siri caught the sharp flash of Lucianna’s eyes to hers and hastily ducked her head.

Her movement drew their captor’s attention.

“And what have we here?”

He reached out a mailed hand and threw back the hood of Siri’s cloak.

Siri was not surprised to hear his gasp. She had seen too many men stand stunned by her beauty. Their flattery she knew by heart: her glowing locks rivaled the liquid sheen of purest gold, her eyes dazzled like the sky on a midsummer’s day, her cheeks bloomed with the blush of spring roses…

For all this and its accompanying effect she was prepared.

But she was not prepared for his companions’ startled oaths, or the signs of the cross sketched hastily across mailed breasts.

“It’s impossible!”

“But it is she!”

“My lord, it cannot be—“

“Silence!” their leader snapped, and Siri caught an impatient amber flash from behind the eye-slits of his helmet. “Of course it is not she. Look at me now, girl. State your name and origin.”

Siri debated her answer. Some of his companions seemed to think they knew her, but she doubted that any of them could, unless they had passed through Venice, perhaps looking for transport to take them to the Holy Land. Her late husband had often aided such men, lending them money and arranging for ships for their voyage. But he had kept her hidden or veiled, fearful of her beauty’s effect upon the intemperate crusading knights from the West.

“I am Donna Siriol de Calendri,” she said at last, answering him in French as he had questioned her, “and I do not see why I should tell you any more than that.”

Again an amber gleam, this one amused. “Ah, but we have uncovered a spirited little minx. Come, girl, if we are to ransom you, we must know where lies your family. To whom do we send word of your capture?”

“There is no one,” she said. “My parents and brother are dead and all I own in the world is in these wagons. Take what you will and let us go.”

Her captor sounded skeptical. “Surely your family did not cast you alone upon the world? Nay, you did not leave your foreign land without a purpose. To whom do you go? Tell me—”

Just then one of his men, too far away to have been drawn into the surprise of her appearance, dropped one of the chests he had been loading back into the wagon. Out of it tumbled a bundle of vellum sheets, followed by several glass vials and a litter of brushes and pens. Siri watched in horror as he lurched drunkenly onto the sheets to reclaim one of the vials and hold it up to the light.

“Carissima, no!”

Lucianna grabbed for Siri’s arm, but Siri evaded her and slid from her saddle. She ran, trembling with fury, and pushed the man away.

“You imbecile! You stupid, ignorant oaf!”

She was half the size of the robber-knight, but he nevertheless staggered back at her shove. She gathered up the sheets and tried in vain to brush away the stains from the figures painted there. Her eyes stung with tears at the desecration.

The man, apparently more intrigued with his discovery than offended by the shove, held the vial out to his master. “Look here, my lord. She’s got it filled with sapphires!”

“That is paint, you fool, and don’t you dare drop it. It is worth a fortune—“

“Carissima.”

Lucianna’s warning came too late. The leader rode to swoop the vial out of his comrade’s hand and hold it up to the sun. The rich blue contents sparkled like jewels.

“A fortune, eh? For a vial of paint? And just who would pay to retrieve it unspilt?”

Siri could almost see the challenging cock of his eyebrow behind the iron helmet. She pursed her lips together in what she intended as disdainful defiance, but which she knew the bow-like cast of her mouth would translate into a pout. The man laughed, a bold, arrogant sound, and tucked the vial into his belt, then leaned down from his horse to take her chin between his fingers. The iron links that encased them were cold against her skin. The grip tightened painfully when she tried to pull away.

“Nay, carissima, you are in my power now. You will answer my questions, here or at my castle.”

She met the amber gleam with scornful silence.

“Very well, then.” He glanced at his men. “Is everything loaded?”

“Aye, my lord.”

“Then my castle it will be.”

His strong arm swept about her waist and lifted her off the ground. Siri had only seconds before she found herself planted before him on his horse, but in that space she moved like lightning. She twisted about in the same instant as she loosed her jeweled dagger. Her free hand flashed beneath his helmet to draw back the mail that shielded his chin. Before he could react, she pressed the point of her steel against his throat.

“You will put me back down,” she said, her breath coming more rapidly than she liked, “and let my companions and me go, or I swear by my brother’s grave, we will be the last innocents you will try to rob along this road.” She imagined his sneering lips as his arm tightened about her waist. She thrust the point warningly up beneath his chin. “If you do not want your tongue pinned to the roof of your mouth—”

“Carissima,” he murmured, again using the endearment he had heard Lucianna cry, “I think you have not the stomach for so grisly a task.”

She nudged her blade higher and was gratified to see him roll his head back at the threat. “And I think you would be wise not to risk me proving you wrong. Now if you do not put me down and call your brigands off—”

“My lord,” one of his men interrupted with a shout, “there are horsemen approaching!”

“Lord Fauke’s men,” cried another. “My lord, if we are discovered—”

Her captor held her another moment, then slowly swung her to the ground. She thought she saw bemusement in the amber gleam that held her eyes for a weighing instant, but when he spoke, it was with the same swaggering arrogance he had used before.

“This round is yours, my lady. But the game is not over between us yet. We shall meet again.”

He signaled to his men and they rode off into the trees, leaving Siri and her spoils standing in the road.

* * *

The fuming curses died in the flame-haired baron’s throat as the full force of Siri’s beauty seemed to strike him like a bolt of light. This was the sort of response to her appearance Siri was accustomed to, and she found it reassuring after the odd reaction of the robbers to her face. Their indications that they somehow knew her had been inexplicable for its impossibility.

“Bloody scoundrels,” her rescuer muttered now. “They have been dogging these roads for months and when I catch them, I will skin their miserable hides from their backs. They did not injure you, I trust? Or any of your companions?”

With apparent difficulty he dragged his eyes from Siri and cast a glance at her traveling party, but almost immediately his bedazzled gaze returned to her face.

“My companions and I are unharmed,” Siri said, “though I fear I cannot say as much for some of my belongings.”

She glanced at the spoiled vellum sheets still lying in the road, but her impulse to turn her back on this gentleman and retrieve them was preempted by Lucianna’s rebuking gaze. Siri hastily swept the man a curtsy. There could be no doubt from the quality and cut of his clothes that he was a gentleman of rank and wealth.

“Our thanks to you, sir. To whom do we owe our safety?”

The gentleman bowed and came up with a grin that set off a tiny warning in Siri’s mind. There was a new gleam in his eyes as they raked the elegant curves set off by the tight bodice of her blue silk gown. Aye, this look she was too familiar with, and she drew the concealing folds of her mantle closer.

“I am Lord Fauke de Vaumâle, and I am pleased I could be of service to you. As I said, these brigands have been harrying hapless travelers for months. Duke Richard has charged me with their apprehension, but they are a wily, dishonorable lot and so far they have eluded me.” He paused with a darkling look. “When I catch them, there will be little enough of them left for the duke to exercise his justice on. I’ll see to it their leader is naught but a bloody mass of—” He checked himself and his gaze again grew warm on Siri’s face. “Forgive me, these matters are not for such delicate ears as yours. May I ask who it is I have had the pleasure of rescuing?”

“I am Siri de Calendri—”

“Donna Siriol,” Lucianna corrected.

Lord Fauke looked perplexed. “Donna?”

“It means ‘lady’,” Siri said with a rueful glance at her companion. “I gained the title through marriage, but my parents were not so nobly born.”

“Ah.” Lord Fauke looked disappointed. “Then you have a husband to whom you should no doubt be returned.”

Siri hesitated, knowing the truth would bring that weighing desire back into his eyes, but she confessed, “My husband died two years ago, in Venice,” she said, “and my brother has but recently followed him to the grave. I have no other relatives, so my brother has placed me under the protection of a friend, one of your countrymen.”

She stated the gentleman’s name and the castle that was her destination.

Lord Fauke frowned. “Ah,” he said again. “Then your brother chose ill. That ‘friend’ is in the duke’s disgrace, and mine.”

“You know him?”

“He is my own vassal—he and his neighbor, Sir Raynor de Molinet. The loyalties of both are suspect. Duke Richard is lord of Poitou and Aquitaine, and those who think to turn it otherwise will find their heads on the block.”

This fearsome threat dismayed her. Had her brother known this about his friend?

“I trust you are mistaken, my lord,” she said. “I know little of these lands, save for rumors we encountered along the road. But I am certain my brother would not confide me to anyone of less than sterling honor.”

Lord Fauke gave her a skeptical smile. “You are not like to find it in that gentleman. I would no doubt be doing you a service were I to ignore your brother’s wishes and—”

Siri stopped him with a freezing gaze that had dampened, albeit never more than temporarily, more than one suitor overeager to sample her charms.

“I trust you will not do so, sir. I should be reluctant to have to call on my guards to defend me. They were some of the best swordsmen in Venice and had those robbers not taken us by such surprise, the brigands would no doubt be lying dead in the road even now.”

The Italian guards had taken advantage of Siri’s exchanges with Lord Fauke to retrieve their lost swords and awaited her command with their blades in their hands.

Lord Fauke gave an awkward cough and Siri noticed how the freckles on his face darkened when he flushed. “Now, now, naturally I will escort you wherever you wish to go. Pray,” he added with a bow, “if I may help you to remount?”

“My vellum—” Siri began, glancing at the scattered sheets.

“My men will gather them up for you, never fret you, my lady. But it is growing late. We should be on our way.”

Siri took note of the angle of the afternoon sun, but it was not until Lord Fauke signaled two of his men and she saw them respectfully gathering up her sheets that she allowed the red-haired baron to lift her back onto her horse.

* * *

Some hours later, Siri drew up her mount and stared dubiously at the rubble-filled ditch that encircled a razed stone wall that had formed an outer curtain to the soaring square castle beyond. A second wall nearer the keep, crenellated like giant gapped teeth against the sky and defended by four corner towers, rose smooth and untouched in the afternoon sun. A second moat surrounded it, this one filled with darkly roiling waters. Given the obvious threat of robbers in the nearby woods, Siri was not surprised to see that the twin-towered gatehouse beyond stood with drawbridge up and portcullis down.

Lord Fauke called out his name and immediately the bridge was let down and the gate opened. Clearly the guards had no inclination to challenge a man who was, as the baron had proudly informed Siri as they rode, a stalwart supporter and intimate of the king’s son, Duke Richard. Lord Fauke told her that he had inherited wide lands in Poitou from a great-uncle who had died the past year. From a nearby stronghold, he regularly patrolled the forest roads in search of just such malcontents as had turned their bullying avarice on Siri’s party today.

He and his men escorted Siri’s party now into the castle’s bailey. Siri had grown weary of Lord Fauke’s bedazzled gaze as they rode. Hoping to forestall—at least for the time being—similar gazes from the occupants in the bailey, she once again drew her hood over her head.

The yard was filled with a miscellany of servants. A girl with long brown braids carried a bucket across the yard while another shooed a flock of cackling geese toward a timber lean-to inside the wall. Several men stood near the stables conversing with one who looked as if he might be a blacksmith, while a large, friendly looking hound dashed from one member of the group to another, receiving here a pat of the hand, there some small treat from a tolerant knight or squire.

The dog came yapping across the yard to greet the newcomers. One of the men detached himself from the group and followed with a halting limp. Siri drew the edge of her hood over the lower half of her face and watched as the grey-haired retainer bowed low before Lord Fauke.

“My lord, we had no word of your coming. My master is not here just now, but you are mightily welcome to come inside and partake of some refreshment while you await his return.”

“Nay, Sir Balduin,” Lord Fauke replied, “I will not so trouble you. We came upon these poor travelers suffering an attack by the thieves of the forest. The ladies named this as their destination, and we thought it wise to guard them safely here.”

Sir Balduin gave the ladies a rather blank look. “I beg your pardon. My master did not inform me that we would be having guests. We have no room prepared.” He cast a worried glance at the wagons. “Will—Will your stay be long?”

Lucianna replied to his frankness with an ill-concealed condescension. “Indeed, signore, we come to stay. I regret that we were unable to send messengers ahead, but the letter will explain it all.”

Sir Balduin looked astounded. “Come to stay? But—”

“Signore,” Lucianna interrupted, “we have traveled many weeks to reach this land. Donna de Calendri needs to bathe and rest. Can you not find us some accommodation?”

Sir Balduin looked so flustered that Siri lowered the edge of her hood and offered him a sympathetic smile.

“Ah, saints!” He staggered back, so pale that Siri half feared he was about to faint. Other servants drew near at her unveiling, nudging and whispering, some making the gesture of the cross, while others fluttered less Christian signs. “It is impossible—”

“Come, man, pull yourself together,” Sir Fauke snapped. “Have you never seen a beautiful woman before? Do as the wench says. Find them a corner to sit in while you make ready a room and send word to your master—”

“My master—” Sir Balduin gasped. “But he must not see this! Forgive me, my lady, but you cannot stay here.”

“But we have nowhere else to go,” Siri said. “Please, sir, the letter will explain all to your master. He knew my brother. They journeyed to the Holy Land together, prayed together before the Holy Sepulchre. I know he would not wish to deny my companions and me his simple hospitality.”

“There, man, she’s right,” Lord Fauke said. “If there is a problem, leave it to your master to deal with. Now let these women inside—or must I escort them to Poitiers and explain your master’s rudeness to the duke?”

Sir Balduin seemed alarmed by this threat, and Siri sensed it held a significance she did not understand. “It will not be necessary to trouble the duke with my master’s affairs. My ladies, if you will come with me, you may wait in the hall until—well, until something can be arranged.”

Siri did not give him a chance to change his mind, but slid out of the saddle and followed him into the keep.

* * *

She bided the waiting patiently, silently reassuring herself over and over that her brother would not have sent her on so lengthy and arduous a journey to this strange castle, had he not been confident of her welcome. Lucianna, seated beside her, concealed any anxiety of her own by grumbling on and on in Italian about Sir Balduin’s incompetence and the dismaying prosaicness of their surroundings. Siri knew her companion missed the luxurious hall she had come to enjoy during her charge’s marriage to Alessandro. Sumptuous to the point of excess, it had been to Siri little more than a splendid prison.

She fancied she could be quite content in this simpler hall. Only four colorful shields adorned its high, polished stone walls, arranged behind the empty dais where they framed a long silk banner bearing the emblem of a gilded rose. The room itself was relatively small. The narrow, arched windows set with bars, cast a pattern of shadowed latticework across the rushes of the floor. Siri caught the scent of sweet woodruff beneath her feet, rising with a fresh fragrance very much like that of new-mown hay.

The scent grew stronger as she left her seat, her soft-booted steps crushing the petals to release the full potency of their perfume. She wanted to examine the stone hearth built into the wall near an exit that she guessed must lead to the kitchens. A cunning zigzag pattern had been etched into a reddish decorative stone that formed an arch about the fireplace, but on so warm a summer’s day any flames had been dispensed with.

“Carissima, come. Such curiosity has no place in a lady.”

“I am only a lady by marriage,” Siri replied to Lucianna’s rebuke. Too often her companion seemed to forget that fact. Her mother had been a merchant’s daughter and her father a simple craftsman, though his skill had won him some wealth and his art had rivaled the best of the masters of Venice.

“Yet your father had some noble ties.”

Lucianna’s insistence sounded more wistful than confident. There had been whispers of an aristocratic birth and it was widely known that her father’s origins had lain in the far-off county of Poitou. But Walter Geraud had done his utmost to squelch the rumors and settle happily into his foreign home with his beautiful Italian wife. Walter the Poitevin, as he had been known to his patrons, had died without either of his children knowing how much of gossip might be true. Her mother had followed him a year later, and then six months ago her brother…

Siri blinked back the tears of memory and returned to her seat beside Lucianna. With a darting, nervous glance at Siri’s face, a servant brought in a tray of cheese and bread. Sir Balduin brought them some wine, but he did not linger long enough to converse, other than to reply—to Lucianna’s query—that he could not guess the hour of his master’s return.

The shadows of latticework had lengthened across the rushes and begun to fade when a deep, quiet voice caught Siri’s ear. She turned her head to look at the man stepping through the arched entryway which had earlier admitted her and Lucianna to the hall.

“De Calendri? She says I knew her brother? I do not recall any such name.”

He stood with head tilted, his tall frame leaning slightly down to listen to Sir Balduin. The hound Siri had seen in the bailey trotted at the man’s heels. The man carried some sort of packet under his arm and an inkwell in one hand. At his shoulder stood a fair-haired youth, slenderly built, with a dreamy, distant expression. The youth’s gaze flitted to Siri first with an absent curiosity, then focused into the same sort of disbelieving shock that she had witnessed twice before upon this day. He mouthed some word which Siri could not hear, but which caused the taller man’s head to jerk up and around. The man did not seem to notice as Sir Balduin took the packet and inkwell, but stood so long unmoving, gazing on Siri’s face, that Lucianna finally rose in obvious annoyance.

“Signore, I am Lucianna Fabio, and I have been charged to deliver to your care a most priceless jewel. Stand up, carissima. Pray, signore, allow me to present to you Donna Siriol de Calendri—”

Lucianna broke off as the man strode abruptly across the hall and caught Siri’s chin in his hand. Siri gasped a little as he forced back her head. She saw the way the blood washed away behind his tan. She had an impression of strong, passionate features and a mass of coal-black curls, before she found herself engulfed in the swirling agony of his eyes. They embraced her like two deep, ebony pools, drawing her into an eddy of pain so poignant that she thought she must drown in its depths. From some great ringing distance, she heard him utter a name, not her own, but one spoken on a breath like a prayer.

“Clothilde.”

And then the dark eyes closed and he lowered his lips to hers.

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Click here for Summer Treasure Hunt: Dig for Clues Contest!

Also check out QOTC Summer Time Give Aways Contest for another chance to win a free copy of Loyalty's Web!

Monday, June 8, 2009

Contest at "Why Not? Because I Said So!"

Hey, there's a great new contest going on over at Why Not? Because I Said So! Blogger and book reviewer Sheila is giving away a free copy of Author Annette Lyon's new book: There, Their, They're: A No-Tears Guide to Grammar from the Word Nerd. If you're a writer--fiction, non-fiction, personal journals, letters...even emails!...who occasionally find your head spinning over its vs it's, affect vs effect, etc (fill in your own personal grammar nemesis here), or a reader who simply finds the subject of grammar fascinating (there actually are a few of us out there!), then this is definitely a book you'll want to vie for. How can you win a copy? Hop on over to Sheila's blog to learn four--count 'em, four!--ways you can enter for a chance at this wonderful sounding book!

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And don't forget to click here for our Summer Treasure Hunt: Dig For Clues Contest!

Friday, June 5, 2009

Revisiting Old Friends

I've just recently discovered these two quotes and now count them among my favorites:

"Books worth reading are worth re-reading." (Holbrook Jackson)

"We hold if a book be worth reading once, it is worth reading twice, and if it stands a second reading, it may stand a third." (Gilfillan)

I've just recently finished a third re-reading The Convenient Marriage, by Georgette Heyer. I read it once in high school and once in college. My only question as I read it this time was: "What took me so long to read this book again!" (I had seriously forgotten how good it was!)

How long has it been since you've reread an old favorite? If it's been awhile, do yourself a favor...pull one off the shelf and read it again soon!



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Click here to join our Summer Treasure Hunt: Dig For Clues contest!

Sunday, May 24, 2009

Hymns for Memorial Day

During the televised memorial services for those who died in the bombing of the Navy destroyer USS Cole in 2000, the Navy band played a tune that struck me as particularly beautiful. When I mentioned it to my mother, she immediately sprang up and pulled out her old “Song and Service Book for Ship and Field” from her days in the Navy WAVES. She flipped to a page in the book and handed it to me. As soon as the memorial services were over, I went over to our piano and played and sang the song that the Navy band had performed. The words brought me to tears. They are as follows:


1. Eternal Father, strong to save,
Whose arm doth bind the restless wave,
Who bidd’st the mighty ocean deep,
Its own appointed limits keep;
O hear us when we cry to Thee
For those in peril on the sea.

2. O Saviour whose almighty word
The winds and waves submissive heard,
Who walked’st on the foaming deep,
And calm amidst its rage didst sleep;
O hear us when we cry to Thee
For those in peril on the sea.

3. O Sacred Spirit, who didst brood
Upon the chaos dark and rude,
Who bad’st its angry tumult cease,
And gavest light and life and peace;
O hear us, when we cry to Thee
For those in peril on the sea.

4. O Trinity of love and power,
Our brethren shield in danger’s hour;
From rock and tempest, fire and foe,
Protect them wheresoe’er they go,
Thus ever let there rise to Thee
Glad hymns of praise from land and sea.

This song, “Eternal Father, Strong to Save” is also known as the “Navy Hymn”. I decided to do an internet search on this hymn this Memorial Day weekend, and discovered that additional verses have been added to this hymn since my mother served in the Navy in the 1940s. Some of these verses recognize other branches of the U.S. Armed Services…and more! I thought you might enjoy reading the words to a few of them on this Memorial Day.

Eternal Father, grant, we pray

To all Marines, both night and day,

The courage, honor, strength, and skill

Their land to serve, thy law fulfill;

Be thou the shield forevermore

From every peril to the Corps.

--J.E. Seim, 1966

Lord God, our power evermore,

Whose arm doth reach the ocean floor,

Dive with our men beneath the sea;

Traverse the depths protectively.

O hear us when we pray, and keep
them safe from peril in the deep.

--David B. Miller, 1965

O God, protect the women who,

in service, faith in thee renew;

O guide devoted hands of skill

And bless their work within thy will;

Inspire their lives that they may be

Examples fair on land and sea.

-- Lines 1-4, Merle E. Strickland, 1972,
and adapted by James D. Shannon, 1973.

Lines 5-6, Beatrice M. Truitt, 1948

Eternal Father, Lord of hosts,

Watch o'er the men who guard our coasts.

Protect them from the raging seas

And give them light and life and peace.

Grant them from thy great throne above

The shield and shelter of thy love.
--Author and date unknown

Eternal Father, King of birth,

Who didst create the heaven and earth,

And bid the planets and the sun

Their own appointed orbits run;

O hear us when we seek thy grace 

For those who soar through outer space.

-- J.E. Volonte, 1961

God, who dost still the restless foam,

Protect the ones we love at home.

Provide that they should always be 

By thine own grace both safe and free.

O Father, hear us when we pray 

For those we love so far away.

-- Hugh Taylor, date unknown

Lord, guard and guide the men who fly

And those who on the ocean ply;

Be with our troops upon the land,

And all who for their country stand:

Be with these guardians day and night 

And may their trust be in thy might.

--author unknown, about 1955

And when at length her course is run,

Her work for home and country done,

Of all the souls that in her sailed

Let not one life in thee have failed;

But hear from heaven our sailor's cry,

And grant eternal life on high!

--Author and date unknown

“Eternal Father was the favorite hymn of President Franklin D. Roosevelt and was sung at his funeral at Hyde Park, New York in April 1945. Roosevelt had served as Secretary of the Navy. This hymn was also played as President John F. Kennedy's body was carried up the steps of the capitol to lie in state.” (Source: Naval History and Heritage Command website: http://www.history.navy.mil/faqs/faq53-1.htm)

May we each take time to remember on this day those far away on land and sea, past and present, the guardians of our precious freedoms!

(Click here to send a postcard to our troops!)

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Click here for "Summer Treasure Hunt" contest

Thursday, May 21, 2009

School Days Comin' to an End

Today I played the piano for our annual 1st Grade Spring Program. The children sang. The Ants went marching, the Speckled Frogs ate their bugs, the Baby Bumblebee "bit me!", the Little White Duck was "doing what he oughtta", we all loved Arizona, and we Heard It for America. (Hip-Hoo-ray!) All was good.

And on we go to summer!

Friday, May 15, 2009

Review of “Messiah: The Little-known Story of Handel’s Beloved Oratorio”, by Tim Slover


Book Description:

This account presents the remarkable story of the creation of the world-famous Messiah by George Frideric Handel. Revealing that the work was composed during a tumultuous period of Handel’s life and molded through many unlikely circumstances, this chronicle tells of how this musical masterpiece was crafted and how it became a glorious production that is now performed around the world every Christmas season. Images of significant sites and artifacts of note, including the church where Messiah was first performed, accompany the text to accurately place this rich tale in its historical context. A bonus CD featuring the Mormon Tabernacle Choir’s rendition of Messiah is also included.

I’ve just finished reading the most splendid little book! Messiah: The Little-known Story of Handel’s Beloved Oratorio, by Tim Slover.

Messiah is no scholarly version of how Handel’s oratorio came to be. Slover writes in such an intimate style that one feels as if one is actually in the concert hall, anticipating the first London performance of the famous composer’s mysteriously titled work, “”A New Sacred Oratorio”.

Slover presents us at the outset with a number of mysteries. Why the “veiled” title? Why does the librettist, Charles Jennens, look displeased as he waits for the concert to start? Why does the tenor soloist look ill, and the contralto “stricken”? And will the king attend the performance, after snubbing Handel’s music for the last four years?

After drawing so vivid a picture for the reader, Slover deftly backtracks to lay the groundwork for revealing the answers to each of these questions. The story that follows is as riveting as it is entertaining. And, in the end, touching, as well. For Handel’s Messiah is not only a great work of art (okay, that may be a bit of an understatement), but invoked a healing spirit upon many of his age, as it continues to touch and heal many hearts today.

Messiah is replete with drawings and artwork, many from Handel’s lifetime, that bring the age even more fully to life for the reader. The art designer for Messiah, Amy Orton, is to be applauded. (Art designers are too often overlooked in books like this.)

I cannot recommend Messiah: The Little-known Story of Handel’s Beloved Oratorio highly enough. If you are a music lover, do yourself a favor. Read this book! (And if you purchase a copy, remember that it comes with a free CD, as noted in the book description above.)

Messiah: The Little-known Story of Handel's Beloved Oratorio can be purchased on Amazon. (Scroll down my left sidebar and use the Amazon link to order books highlighted on this site.)

Wednesday, May 6, 2009

Why Am I Green?

Why is my background green for May? Not because it's spring. Because it's my birthday month, and this is as close as I could get to my birthstone (emerald) and still (hopefully) be readable. Happy birthday to me!

Twittering Away

Yes, you can follow me on Twitter now...if you really want to! Scroll down the left side of my blog to read my Twitters here, or sign up to follow me.

Sunday, May 3, 2009

As the Eyes Go Rolling Along

What’s up with the “rolling of eyes” phenomenon in practically every other work of fiction I read these days?

I first noticed it in a medieval romance. The book started out well enough. A likable heroine I was happy to follow along on her quest to find “true love”. But then, half-way through, she rolled her eyes. No problem. Everyone rolls their eyes sometimes. But then she did it again. And again. And again. Until I found myself groaning with each repeated “roll” and a hair’s breadth away from throwing the book against the wall in frustration. But I hung on tight and kept reading and otherwise enjoyed the story through to the end.

A few fiction and non-fiction books filled my reading interim, and I forgot about this “flaw” in an otherwise well written and enjoyable book.

Then I picked up the first of a young adult vampire series which shall remain nameless in this blog. I enjoyed the first volume without complaint. But to my dismay, in volume two of the series, the eye rolling began again. Only this time it was worse than the medieval heroine’s romance. Instead of the heroine rolling her eyes every dozen pages or so, almost all the characters in this nameless vampire book rolled their eyes on what felt like every other page, until I wanted to scream, “Stop, already! Can’t you think of some other facial expression to use, for variety’s sake?” This book was much too hefty to be tempted to fling against the wall. I was afraid I’d sprain my wrist and have to pay to fill in the inevitable hole so large a volume would undoubtedly leave in its wake. (I hoped the eye rolling might be toned down in the series’ subsequent volumes, but alas, that hope was in vain.)

Another fiction book or two, completely lacking in eye rolling, restored my equilibrium at the end of the vampire series. But then, a few weeks ago, I picked up a Regency romance, and what did I discover? A hero who rolled his eyes again…and again…and again…reviving the barely smothered scream described in the paragraph above. (This time the wall was only saved by the fact that I read it in my sister’s apartment and didn’t want to stick her with the bill for repairs.)

So, what’s up with all the eye rolling in novels these days? Is it a reflection of authors who watch too many smart-alecky kids on TV who constantly roll their eyes at their TV-parents? Is it living with kids of their own who constantly roll their eyes at their author-parent? I don’t have any children of my own, and I don’t currently watch TV shows with smart-alecky kids, so it’s truly a mystery to me.

Regardless of the answer, to me the bottom line is, any action repeated ad infinitum in a novel—eye rolling or any other gesture—is a sign of sloppy, or at least, careless writing. The characters in my books aren’t much for eye rolling, but it’s possible I have my own too-frequently-repeated mannerisms of one sort or another. If any of my critique partners catch me falling into this trap, I pray that they’ll stop me in my tracks and say (nicely, of course), “You’ve used this expression twenty times. Can’t you think of something else?” Trust me, I would count such a critique partner as worth her weight in gold!

But back to my original question. I’m not writing this to throw stones. I wouldn’t be so annoyed or baffled if each of the authors above had chosen a completely different mannerism to repeat (over and over and over). But the fact that all of them chose eye rolling begs the question I began with…what’s going on with the “eye rolling phenomenon” in fiction these days?

Can anyone fill me in?

Monday, April 13, 2009

He Remembereth Every Creature of His Creating*

Yes, this is another blog about pets! I wrote it many, many years ago now, but the Easter season brought it to my memory, and so I share it with you today.

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Echo was such a cat. That's what I always told him. He was built like an athlete. Long legs, long body, long tail. Everything about him was long. And sleek, with muscles that were sculpted for leaping tall bookshelves in a single bound. Which is exactly what he did, whenever he had an audience to cheer and admire his incredible dexterity. His propensity for jumping from the bookshelf to the pendulum wall clock, however, became more heart-stopping than amusing, as the clock tended to "swing" ominously beneath his weight. The only way to discourage his mischievous tricks (he usually looked over his shoulder to be sure someone was watching before he hurtled himself through the air at the clock) was to leave the room as soon as you saw him eyeing the bookshelf. 'Ere long, he would come trotting out after you.

This handsome silver tabby, with a wide, black "bullseye" patterned on each of his well-fed sides, loved his cat life with a passion I have seen in few of his feline fellows. Weighing a good 15 pounds ("I see you're raising mountain lions at your house," the vet would say when I took Echo in for his yearly shots), he was not content with the normal cat habits of eating and sleeping, eating and sleeping. He was a regular jogger. Seldom found sauntering through the house like his sister, Circe, he preferred a brisk trot to propel him from one place to another in our house. As a kitten, he delighted in crawling up inside of lamps, maneuvering himself inside our baby grand piano, and generally wedging himself into any tight, uncomfortable, commonly inaccessible space, merely, I'm sure, to prove it could be done after all.

Although many of these spaces did, indeed, become inaccessible after he finally stopped growing at 15 pounds, he never lost what I can only describe as a sheer enthusiasm for being alive. Then one day, as I was admiring the bright calculation in his face as he considered some new "adventure" in our house, it struck me: "This cat is excited to finally have a body!"

We are taught that we all lived as spirit children of Heavenly Parents before we were sent to this earth, and that one of the most important parts of this earth life is an opportunity for each of us to gain a body. The Lord, after revealing the creation of the earth, including that of both beasts and man to Moses, said to the prophet, "For I, the Lord God, created all things, of which I have spoken, spiritually, before they were naturally upon the face of the earth." (Moses 2:5) Then surely, if I existed as a spirit in the pre-mortal life, Echo's cat spirit existed, too?

A little study confirmed this fact. When the Prophet Joseph Smith inquired of the Lord what the meaning was of the four beasts that John the Revelator saw in Revelation 4:6, the Lord explained, "They are figurative expressions, used by the Revelator, John, in describing the paradise of God, the happiness of man, and of beasts, and of creeping things, and of the fowls of the air; that which is spiritual being in the likeness of that which is temporal; and that which is temporal in the likeness of that which is spiritual; the spirit of man in the likeness of his person, and every other creature which God has created." (D&C 77:2, italics added)

The fact that cats and other animals existed in spirit form in the pre-existence was not entirely new to me. Common sense and occasional gospel teachings on the subject had enlightened me on that matter. But the idea that a body might be a new and exciting thing to an animal, just as it is to a child . . . I had simply never considered that thought before. Watching Echo's delight in testing and stretching the limits of his body took on a whole new dimension for me. I began to watch him in wonder, and furthermore, I sometimes felt a little guilty for taking my own body so much for granted. Too frequently, I have failed to appreciate the unique and wonderful things I can do because I have a body. Yet here, this small, energetic little animal appeared uniquely happy in his sphere of life every single day, thanks to a mortal body that gave him so much joy.

Latter-day prophets teach us that animals can, and do, indeed, rejoice in living upon this earth. President Joseph Fielding Smith said, "Moreover, were not all creatures commanded to be happy in their spheres at least by implication if not by word? What a dreary world this would be should all life in the heavens above, on the earth, or in the sea be removed? What is more joyful to the ear than the voice of the robin on an early spring morning as he sings his song? The voice of the thrush, the meadow lark, even the bark of a friendly dog, each of them expressing their joy for their existence?" (Answers to Gospel Questions, Vol.4, p.44)

Another time, President Smith commented, "The Lord gave life to every creature, both the birds in the heavens, beasts on the earth, and the fishes in the streams or seas. They also were commanded to be fruitful and multiply and fill the earth. It was intended that all creatures should be happy in their several elements." (Answers to Gospel Questions, Vol. 4, p. 43)

Echo truly was a happy cat. He left this mortal life much too soon for me, a mere six years old. That's young for a cat. He appeared to pass peacefully, if mysteriously, in his sleep one day. Yes, I wept to lose him. The loss of so much energy, so much curiosity and precosiousness left a lonely vacuum in our home. But if the scriptures offered enlightenment about his pre-earth and mortal life, they also give hope for the future. In speaking of the day of resurrection, the Lord has said:

"For all old things shall pass away, and all things shall become new, even the heaven and the earth, and all the fulness thereof, both men and beasts, the fowls of the air, and the fishes of the sea; And not one hair, neither mote, shall be lost, for it is the workmanship of mine hand." (D&C 29:24-25, italics added) When I see Echo again, I believe it will be with those same distinctive bullseyes on his sides.

If the Lord notes even the fall of the sparrow (Matt. 10:29), then surely he knew both of Echo's passing and of my sadness to lose him.

As humbled as I had been by one small cat's appreciation for the body the Lord had given him, I continue in gratitude and awe for the infinite vastness, inclusiveness, and love made manifest by the Lord Jesus Christ's resurrection with its accompanying promise that we, too, both man and beast, shall rise again, "[Our] sleeping dust . . . to be restored unto its perfect frame, bone to [our] bone, and the sinews and the flesh upon them, the spirit and the body to be united never again to be divided, that [we] might receive a fulness of joy." (D&C 138:17)

Perhaps, for now, Echo is anxiously awaiting that day, "look[ing] upon the long absence of [his] spirit from his bod[y] as a bondage." (D&C 138:50) But one day, he, like I, will receive our bodies again. In that day when "The wolf and the lamb shall feed together, and the lion shall eat straw . . . They shall not hurt nor destroy in all my holy mountain, saith the Lord." (Isaiah 65:25)

With the Millennium come, the world at peace, and death finally conquered for man and beast alike . . . oh! what adventures Echo will have before him then.

*Mosiah 27:30

Thursday, April 9, 2009

Win a Medieval Banner!


Have you ever wanted a medieval banner of your very own? C’mon, let’s be honest. Who hasn’t?

Well, here’s your opportunity to win such a banner! This time round, I’m holding a drawing especially for those who have read my medieval novel, Loyalty’s Web. The heraldic emblem of my heroine Heléne’s family is the double-headed phoenix. During the course of the story, Heléne uses a banner bearing this insignia to escape from a man who has her cornered in a room in her father’s castle.

The prize for this drawing: A replica of the double-headed phoenix banner (see right). This banner is approximately 20.5 inches wide and 47 inches in length. (A little smaller than the banner in my story, but still very cool!) I hung it on my bedroom door for display purposes to take a photo, but I have tucked it away once more to keep it clean and dust free for the winner.

How can you win this beautiful banner for yourself? Read Loyalty’s Web (if you haven’t already) and answer the question: How does Heléne use this banner to escape from the man who is barring her way?

Send the answer to jdipastena@yahoo.com no later than midnight May 31st. That will give anyone who has not yet read Loyalty’s Web time to find a copy and read it. (Check it out from the library, borrow it from a friend...or, of course, you can buy a copy at Deseret Book or order one from Amazon or DeseretBook.com.

Please be sure to include your name and mailing address, and to type: “Loyalty’s Web-site Drawing” in the subject line of your email.

The winner will be announced June 1st. So get thee to thy reading! I look forward to your entries!

(And don't forget to scroll down the left side of my page and vote in my "Would You Follow Me on Twitter" poll.)

Monday, April 6, 2009

Loyalty's Web in the News


Hey All!

Loyalty's Web has enjoyed a small whirlwind of publicity on the internet lately. If you haven't already seen them, you can read two author interviews, one with C.S. Bezas and another with MyFavoriteAuthor.

MyFavoriteAuthor also reviewed my medieval romance, Loyalty's Web, last week.

And finally, I posted a guest blog on MyFavoriteAuthor today on my experience with originally self-publishing Loyalty's Web and some of the things I learned along the way.

Hope you'll check out the links above!

Saturday, April 4, 2009

To Twitter or Not To Twitter...

That is the question!

So, should I give Twitter a try? Would anyone seriously be interested in anything I might have to Twitter about? Please help me out by voting in my Twitter poll! You'll find it just under all my links on the left side of the page, and just above my Shelfari shelf. I'm leaving the voting open for one month, at the end of which time the majority will rule!

And since I'm new to the whole concept of Twittering, if you vote "Yes", I'd love you to leave a comment on this post and tell me what you'd be most interested in having my Twitter about. Feel free to sign in and comment as Anonymous, if you're more comfortable that way.

Thanks!

They Bring Joy To My Life Every Day

I have a link on my Yahoo homepage called “The Daily Kitten”, where they post a “new kitten every day…at 3:07 pm”. Being a cat lover, I’ve been following this daily link for several years. People from all over the world post pictures of their kittens (always adorable, of course…is there any other kind?), along with a short commentary that shares how the kitten became part of their family or something unique about their kitten. They may look identical on the outside at times, but like snowflakes, it quickly becomes clear, as their “people” share their personality quirks, that no two kittens are truly alike.


What touches me the most is how each of these short commentaries invariably ends with some form of the following statement: “He is still my baby boy and the love of our lives!!” “He has just made our home happier.” “They bring us hours of enjoyment.” “We love her so much!”

I’m sure that somewhere on the internet is a similar website for puppies. Just last Sunday, I visited a woman in our ward and observed her joy in a new dog her married daughter had recently given to her and her husband. Even I, the cat lover, came home with memories of the dog, repeating over and over, “What a doll! What a doll!”

I have two cats of my own, no longer kittens, but I still echo the words above from the Daily Kitten. “He is still my baby boy!” “He has made my home happier.” “They bring me hours of enjoyment.” “I love her so much!” And I never let a morning or nightly prayer pass, that I don’t thank my Heavenly Father for the gift of their love and comfort and for the joy they bring into my life every day.

A few weeks ago, on
Music and the Spoken Word, I listened to the Mormon Tabernacle Choir sing:

All things bright and beautiful,
All creatures great and small.

All things wise and wonderful,

The Lord God made them all.


How grateful I am that among these creatures, “great and small”, He has graced our human lives with the opportunity to live in loving companionship with some of his “bright and beautiful” creations!

(Originally posted on ANWA Founder & Friends, 3/30/09)

Wednesday, March 18, 2009

Renaissance Festival Book Signing

Here are a few photos from my book signing at the Arizona Renaissance Festival on March 14, 2009.



Lady Joyce signing copies of her medieval novel, Loyalty's Web.










A close up shot of me and my snood.








My apprentices, Mistress Ginny of Romney Marsh and Mistress Kaitlyn of Greenwich, their lovely gowns dappled in the shadows of the late afternoon sun.











Those dappled shadows got me, too.











Mistress Kaitlyn merrily dancing the Escargot. Can you find her?





You can see more pictures of the Arizona Renaissance Festival from 2008 on my website under the "My Albums" tab.

Tuesday, March 17, 2009

We Haven't Forgotten, Have We?

No, it's not the anniversary of this event, but as I was reading through the book of Isaiah today, I found tucked into chapter 40 a copy of the speech that President George W. Bush addressed to the nation when the space shuttle, Columbia, disintegrated upon re-entry into the atmosphere on February 1, 2003. President Bush quoted from Isaiah 40:26 the following:

"Lift your eyes and look to the heavens. Who created all these? He who brings out the starry hosts one by one and calls them each by name. Because of his great power and mighty stength not one of them is missing."

President Bush continued:

"The same creator who names the stars also knows the names of the seven souls we mourn today. The crew of the shuttle Columbia did not return safely to Earth; yet we can pray that all are safely home."

Wednesday, March 4, 2009

Book Review of The Dark Lantern, by Gerri Brightwell

Description:

Devon-born housemaid Jane Wilbred has snared her new post with the Bentley family with a letter of reference she forged, omitting any mention of the possibly pertinent fact that her late mother was a notorious murderer. That, however, is trifling compared to the shady games being played both upstairs and downstairs at 32 Cursitor Road while the family matriarch lingers on her deathbed, especially the struggle between mysterious beauty Mina Bentley, wife of younger son Robert, and the wan stranger who claims to be the widow of older brother Henry (drowned recently while sailing home after years in India). Meanwhile, Robert is focused on a battle closer to his heart: winning official recognition for anthropometry, the science of identifying criminals by body measurements. Far from being an arcane digression, Robert's passion eventually figures into the intricate and surprising plot. The action will keep the reader as intrigued as a parlor maid eavesdroppig outside her mistress's boudoir. (From Publishers Weekly)


I found myself ambivalent about this novel all the while I was reading it. Knowing that I would be reviewing it as part of my Goodreads Historical Fiction Reading Challenge 2009, I was continually weighing what I would ultimately say in this review. So here goes:

Things I liked about the book:

The whole concept of anthropometry—the late nineteenth century criminology technique of identifying criminals by measuring such body parts as their ears, noses, hands, feet, and of course, the size of their heads—was fascinating. The Dark Lantern follows anthropometry and its opposing crime solving technique, fingerprinting, through the character of Robert Bentley, who champions what he perceives as the “superiority” of anthropometry throughout the book. We know today, of course, which technique of identifying criminals ultimately won out, but which technique solves one of the many mysteries at the end of The Dark Lantern, I will leave to the reader to discover.

The characters we well drawn, though I did not always agree with the author’s apparent perception of her own characters. For instance, the maid, Jane, was frequently praised as being “clever”, but she spent a good deal of the book weeping and did precious little that I could discern to earn the “clever” label by any of her actions. (And in some cases, I judged her quite the opposite.) Nevertheless, however I may have personally interpreted the various characters, I cannot deny that they all held my attention from beginning to end.

I liked the way the author revealed her mysteries a little at a time, rather than spilling everything out at once.

Things I disliked about the book:

I could have dispensed with each and every reference to any of the characters’ bladders, and really didn’t feel the need to “watch” any of them “relieve” themselves, as happened more than once. Is this considered some kind of “literary realism”? If so, it just confirms to me once more than I am not a “literary reader”.

Yes, yes, I know that sex scenes are nearly de rigueur in fiction these days, but although such scenes in The Dark Lantern were relatively few and short, I would still have been happier if they hadn’t been included at all. I’m sure the author felt they were essential, but since I was able to skip right over them and still understand all the essentials of the plot, I don’t think the story would have suffered in the least by leaving the scenes out to begin with.

There was a disturbing near-rape scene towards the end of the book. There was also, towards the end, the description of a corpse that was far too graphic for my taste. I understand why the author wrote it that way, but if you’re a squeamish reader, be warned: it’s not an image easily erased from your mind.

Things I was ambivalent about:

The narration (except for flashbacks) was told entirely in the present tense. The first few times I picked the book up to read it, I found this tense jarring, but I have to admit, after a bit the story fell into a kind of a flow that made me forget what initially felt like an affectation on the author’s part.

The book had what I would call a “leisurely” pace. I can’t quite call it “slow”, because it held my attention and made me want to keep reading, but if it were a piece of music, I’d label it “andante”, or even perhaps, “adagio”. Once I realized that I was not, in fact, reading a typical “mystery” book, as a review I’d read had led me to expect, but in fact, more of a literary novel woven around a number of mysteries, the pacing seemed appropriate to the story the author had chosen to tell.

Although this was not strictly a “mystery” book, nevertheless, once a mystery has been raised, I expect an author to reveal all the answers by the end of the book. In a great many respects, the author did tie up loose ends, but there were one or two ends that remained loose at the conclusion, and I found that disappointing.

Bottom line:

Is this a book I would want to read again? Sadly, no. The negatives for me outweighed the positives by far. And the biggest negative of all was, once again, more a reflection of my own reading taste than it was of the author’s talent. Plain and simple: I like a happy ending with my books. While some of the characters achieved that, others did not. Regrettably for me, the characters who did have “happy endings” were the characters I least personally cared about, while those that I had found myself rooting for were the ones who were left miserable in the end. However, since each reader will likely find herself/himself attracted to different characters, you may find yourself quite satisfied where I was disappointed.

Would I recommend The Dark Lantern?

Well, I wouldn’t not recommend it. If you like literary novels, you will probably like this book. If you bond with different characters than I did, you may like this book. If you can overlook the bladder scenes and sex scenes and the unusual narration tense and just kind of float above it all as an interesting story, you may very well like this book. I enjoyed learning about anthropometry, and expect most readers would find the subject interesting, too.

As for the rest, read my pros and cons above, weigh your own reading tastes, and decide for yourself if The Dark Lantern is a book for you!

Now my Goodreads Historical Fiction Reading Challenge 2009 is over! I’ve read three historical novels in three months, so I will likely not be reviewing any more books in this kind of depth on this blog, unless/until I accept another reading challenge in the future. For now, I’m off to read something “light and familiar”, to balance out The Dark Lantern. Some old favorite I haven’t read for years. I wonder what book I will choose? When I decide, I’ll list it under “Books I’m Reading Now” in the left column of this page…just in case you’re curious.

Sunday, March 1, 2009

Book Signing!


For those of you who live in, or may be visiting, Arizona, I will be doing a book signing of my medieval romance novel, Loyalty’s Web, at the Arizona Renaissance Festival on March 14, from 10 AM - Noon. C’mon out and “Meet the Author”.











(Last year's costume)

And while you’re there, you can sign up for a free drawing to win a lovely statuette based on Gustav Klimt’s painting, “The Kiss”. (Personally, I like the statuette even better than the painting!) No purchase is necessary to enter the drawing, aside from purchasing a ticket to enter the Renaissance Festival on March 14. I’d love to see you there!



For more information on the Festival, click on Arizona Renaissance Festival. Join us there on March 14 for “The Greatest Party Since Camelot”. Huzzah!